Rebecca McCutcheon

Director theatre & site specific performance


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Til We Meet in England 2017

Some of you will know about or maybe saw the pop up of Til We Meet in England at last year’s Peckham Festival. I’m really excited that we’ll be returning to Safehouse to stage this in a full run later this year, and we’ve just started a Crowdfund Campaign to support the project. The project will launch Lost Text/Found Space as a Peckham-based theatre company, making work for the local and London-wide community, and will be a landmark for Safehouse too, as it will be the first full run of a production, and so will put the location as well as us on the map.
Our work is truly unique, offering innovative approaches to staging remarkable lost texts.

Til We Meet In England:
A family discover their son is missing, possibly murdered by sectarian forces. They prepare themselves to flee, but are surrounded by a blood-hungry mob. How can human values persist when humanitarian beliefs are flung aside?

Working with Elizabeth Inchbald’s extraordinary lost tragedy, The Massacre, experiences of persecution, displacement and mob violence are explored resonating with Britain’s contemporary refugee crisis and the rise of fascism across Europe. Through examining and responding to The Massacre and its themes in Safe House in Peckham, we create an intimate experience which brings you face to face with the world of persecution and panic, loss and longing for home.

Til We Meet in England is our first full-length run – we’ve made sell-out pop up versions of this amazing piece; we now want to reach a bigger audience and have a wider impact. Our Crowdfund Campaign will help us to make the project accessible and inclusive of as wide a local audience as we can, helping us to connect to young people and local communities through workshops and events.

Please check out the campaign video below, and support us by pledging for one of the rewards, and help to make this wonderful project happen:
Please do pledge and share
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Til We Meet in England – Scratch

tricastinIn September 2016 I directed scratch performances of ‘Til We Meet in England’, at Safe House in Peckham as part of the Peckham Festival, merging text-based performance with site, movement and installation. Til We Meet in England’s starting point was the coming together of Elizabeth Inchbald’s tragedy, The Massacre, with the intimate domestic, near derelict site of Safe House.

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The Massacre is a remarkable text written by Inchbald in response to sectarian intolerance in the French Revolution, which has much to offer today. This text, and its engagement with experiences of displacement across Europe, resonates with current experience, and also highlights a long view, in which such movement across the continent has been a familiar and recurring event. Inchbald depicts her persecuted family, the Tricastin’s, with great humanity and empathy, a valuable voice to hear today, and she is explicit in placing England as a place of humanitarian refuge.

 

 

Working in Safe House with this text, the themes of seeking ‘home’, of finding sanctuary, of the precariousness of life and of the value of sharing all became strongly present for audiences, as we share the same intimate space as performers, and make a journey exteriorwith them.

Safe House is a tiny, domestic house which has reached a point of near-total dereliction. Quoting Tadeusz Kantor’s landmark ‘Odysseus Returns’, this house as a setting interacts with the text of The Massacre, through performance, encounters with characters, with music, with fragments of installations and recorded audio from recent British political life.

The intimacy of the space, as a home which hgatheredas become unhomely, works compellingly with the plays’ themes. The piece gathered momentum as sections of Inchbald’s depiction of an emerging fascist leader were performed, at which point the audience members are put in role as fellow mob members in the claustrophobic space of the living room. Here audiences became physically involved with the action as they wish to be, and are (more significantly) all ‘active participants’ in that they are called on to consider both the moral questions in play, and at the same time to encounter with empathy the characters who are caught in the drama.

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It was thrilling to find all of the performances sold out and I’d like to thank Sydney and the whole Peckham Festival team for making the work happen. We plan to bring the performance back in a longer run, in 2017, and are seeking funding and partnerships to make that happen. If you would like to be involved or support the project, please see our Crowdfunder page to support this extraordinary project and find the kinds of rewards and events you can be part of as a supporter.


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‘Til We Meet in England

 

At Safe House, Peckham, Sept 10th & 11th

‘Til We Meet In England is a unique site-specific performance in Peckham’s brand new arts festival. Created in and for Safe House, a tiny, semi-derelict Victorian house in the backstreets of Peckham, ‘Til We Meet in England is part-performance, part-installation, fusing text, movement, objects and song to create a potent, intimate experience.

It takes Elizabeth Inchbald’s rarely performed tragedy, The Massacre, as its starting point. A brilliantly successful writer of wryly observed sex-comedies, this was Inchbald’s only tragedy, using the lens of the St Bartholomew’s Day Massacres to comment on the Terror in France. Wrestling with her horrific, lurid content, Inchbald uses fragments of ‘testimony’, words she claims come from eyewitness accounts, a nascent foreshadowing of testimonial drama. Ultimately, she censored the play, advised that it was unlikely to please (the subtext of this advice being that her own radical liberal politics were the problem).

Newly recovered for a contemporary audience, the play is vibrantly re-imagined for its perspectives on cultural intolerance, refugee experience, and its long-view of England’s international role. It offers a valuable view of Britain’s long, notable and now threatened identity as a place of tolerance and humanism. Examining the play in this context shines a spotlight on a long-silenced woman’s voice, presenting England’s moderation, and a much-needed positive image of Britain’s European past and present.

 These pop up performances from director Rebecca McCutcheon (Dido, Queen of Carthage, Vincent River), designer Talulah Mason (Traces, London) and a talented company, in the tiny found space of Safe House are a rare opportunity to encounter this remarkable gem in an intense environment.

Til We Meet in England at Safe House – 139 Copeland Rd Peckham, London, SE15 3SN

Sept 10, 8pm & 11, 6pm & 8pm

https://www.facebook.com/TilWeMeet/

https://www.eventbrite.com/e/til-we-meet-in-england-tickets-26639333965

Please note: the performances will take place upstairs and downstairs in Safe House, which is not an accessibly adapted space.

Saturday 10th Post-performance event: join director, Rebecca McCutcheon, designer Talulah Mason and the company to hear about the development of the project and to share your views on the performance.